An oral history of the 1986 film adaptation of "The Name of the Rose", gathering together the memories of several members of the surviving cast/crew.

A Master Criminal needs to test the depths of his immorality by choosing the woman he loves as his next victim.

Captured live from Milan, Damiano Michieletto world premiere production of Francesco Filidei's new opera, based on Umberto Eco's medievel thriller.

Revisiting the making of the film through the voices of those involved, including director Steven Spielberg and stars like Liam Neeson and Ben Kingsley. These accounts reveal the challenges of bringing Thomas Keneally's book to the screen, from production difficulties in Poland to the studio's initial reluctance to the all-black-and-white cinematography. The oral history also explores the film's enduring legacy.

A German TV documentary that chronicles the daily rehearsals, the filming and all the behind the scenes of Jean-Jacques Annaud's classic "The Name of the Rose". From actors perspectives to the ideas used by the director to produce an impeccable international epic adaptation of Umberto Eco's best selling novel, the film presents the obstacles behind the creation of a production of such large scale and also the making of the many difficult scenes, most of the ones presented here are the characters' murders inside the mysterious abbey.

Life of Serbian patriot and intellectual Svetozar Miletic and his family in a fight to free Serbian people from Austria-Hungary.

A look at the connections between organized crime, gambling and professional football in the United States.

Romulus and Remus are two CIA Operatives, their superior and instructor is John Elliott (Robert Mitchum) . They both were picked up at an orphanage by John Elliott at the age of about eight, raised together as brothers and specially trained to supersede every other agent in the service. This is what they know. What they do not know is that they are part of a system that John Elliott had invented to build up his own private army of professional assassins which can be assigned to any job he wishes. One day Romulus takes over a job in the course of which he and his team blow up a house and about half a dozen civilians with it. After that Romulus feels he is being chased by both men of the CIA and the Mossad. He discovers that John Elliott betrayed both him and Remus from the start. John Elliott used them and others, which were recruited and raised the same way Romulus and Remus were, to support a secret agreement that was constituted between top secret service leaders of England, France, Russia, Germany and the USA after the second world war. To its effect it says that no nation shall make greater progress in any field than all the others are. The conspirators intend to preserve the status quo in both economical and political aspects. As Romulus, now joined by Remus and a female Mossad Senior Agent he was romantically involved with years ago, they decide to take revenge on John Elliott who stole not only their lives, but also many more and destroyed thousands of others. Saul and Chris are orphans who at a young age were adopted by a man named John Elliott, who is a top ranking CIA Officer. They also join the CIA and become exceptional agents. Today, Saul's a little burned out, because he has not succeeded in his past few assignments. And Chris is feeling the need for absolution has spent the last six years in a monastery. John Elliott gives Saul and Chris new assignments, Saul's suppose to take out five men, while Chris is suppose to locate and then kill a russian agent. Saul does his job, while Chris doesn't, he then seeks refuge at the Abelard Sanction, a safehouse where anyone in the spy business can go to and be safe, because anyone who kills anyone while within these walls will be terminated. Saul later learns that the men he killed are peace makers and he is being hunted. And John Elliott has denounced Saul as a rogue agent. Saul manages to evade his pursuers. John Elliott who needs to find him, finds Chris who left the safehouse, after a friend of his kills the man that Chris was sent to kill, only Chris is the one who has been pegged as the killer, and according to Abelard Sanction rules, all violators must be hunted down and terminated. John Elliott tells Chris that he wants to help Saul, so Chris finds him but Saul has a backdoor to where they are, they watch as John Elliott's people a Special Forces hit team blows the place up. They then hook up with Erica, an Israeli Mossad Agent (Connie Sellecca) and Saul's former lover. They discover that John Elliott \"adopted\" 18 other boys and made them agents too. Looking back on their lives they realize that everything they did in their youth was to prepare them for being spies. They now have to find out what John Elliott is up to, at the same time John Elliot has to find them before anyone else does.

'Name of the Fathers' tells the story of Thomas, a 16 year old boy, trying to find his own path within the community of Jehovah's Witnesses he's raised in. Thomas finds himself in the middle of his disfellowshipped brother, and his younger brother who is just about to get baptized. Will he take side with his elder brother, or will he set the right example for his younger brother? Whatever his choice might be, the decision will have a great impact on the relations within his family.

A look at why Hamlet, a play that’s over 400 years old, holds a mirror up to society today. Filmed across four days of workshops with youth theatre groups across London: The Big House, Bush Theatre Young Companies, Centre 59, and Open Door.